In May, the beloved comedy Bob Hearts Abishola wrapped up its five-season run, leaving Christine Ebersole, who played the unforgettable matriarch Dorothy “Dottie” Wheeler, free to take on new challenges. "I’m so grateful for the opportunity to have been part of such an incredible show with such a talented cast," Christine, 71, shares with Closer. "It was a comedy born out of cultural differences, but it ultimately went beyond that to celebrate our shared humanity. It was a shining example of positivity in a world that needs it."
Comedy is just one facet of Christine's diverse talents. This Illinois-born performer also boasts one of the most powerful voices ever heard on Broadway. In 2001, she earned her first of two Tony Awards for her unforgettable role in 42nd Street. After a stint on Saturday Night Live, Christine transitioned seamlessly to both the big and small screens. Closer recently caught up with this versatile artist as she gears up for her next chapter.
Remembering Dottie: What Christine Will Miss Most
What will you miss most about playing Dottie Wheeler on Bob Hearts Abishola?
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“Her ability to speak her mind without hesitation. I admire that about her. Honestly, I try to keep my own mouth a little more tightly sealed in real life.”
A Career Highlight Reel: Favorite Roles Over the Years
What are some of your favorite roles throughout your career?
“Bob Hearts Abishola will always hold a special place in my heart. It’s the longest-running show I’ve ever been part of. Earlier in my career, I starred in a sitcom called The Cavanaughs from 1986 to 1989, followed by Rachel Gunn, R.N. and Ink, alongside the legendary Ted Danson and Mary Steenburgen. While those shows didn’t last long, they were all incredible experiences. Every role has been like cherries on top of a sundae for me. I’ve been incredibly fortunate to land these opportunities. Meeting my husband on The Cavanaughs, where he composed the music, was life-changing. Another pivotal moment in my career was starring in Grey Gardens on Broadway. That project brought together so many brilliant minds—from the writers and director to the costume designers and musicians. It was truly a once-in-a-lifetime experience.”
Parental Support: How Her Family Encouraged Her Passion
Did your parents support your decision to pursue a career in performing arts?
“Absolutely. I attended MacMurray College, a small liberal arts school near Jacksonville, Illinois, before it closed its doors. Initially, I thought I wanted to become a nurse, maybe even a lawyer or social worker—I just wanted to help people. But my mom encouraged me to dive into music and theater. Her advice changed everything.”
Growing Up Creative: An Artistic Family Legacy
Were you raised in a creative household?
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“Oh, absolutely. Everyone in my family had to learn how to play an instrument. I mastered both the violin and piano. My mom taught us all to sing in harmony. And my dad? He was my first acting coach, being a huge fan of Shakespeare. He once told me, ‘From the very first day I saw you in the hospital, I knew you were destined to become a great dramatic actress.’”
How sweet is that?
“It’s one of my favorite memories. When I was an understudy in On the Twentieth Century on Broadway, I called my dad the night I was set to go on. He hopped on the next plane from Chicago and sat in the front row to watch me perform. It was a moment I’ll never forget.”
Was that your breakthrough moment?
“Not quite. Back in 1975, I was 22 years old, working as a waitress at the Lion’s Rock in New York City. I had just signed with an agent who sent me to audition for Angel Street, whose leading lady was stepping down. I came home from a shift at the restaurant and got a call from my agent saying, ‘Darling, you’re headed to Broadway!’ So I joined the show—but three weeks later, it closed, and I was back to waiting tables. It was a humbling experience, but the producer covered the cost of my Equity card, which was a game-changer for me.”
A High-Wire Act: Life on Saturday Night Live
What was it like being a regular on Saturday Night Live for a season?
“It was surreal. In 1980, I was performing in Camelot on Broadway when I landed the gig on SNL. Think about it: I went from doing eight shows a week, playing Guenevere opposite Richard Burton and Richard Harris, straight to SNL. I didn’t have a background in stand-up or improv, but the producer Dick Ebersol wanted to bring a singer into the cast. I can still sing some of the songs they wrote for me. During one Christmas show, I was singing about Reaganomics with Joe Piscopo when a piece of fake snow got stuck in my throat mid-performance. We were live, so I couldn’t cough or ask for a cut—I just had to keep going. That’s when I realized SNL was high-stakes and high-pressure. It felt like walking a tightrope.”
Proud Achievements: Family and Career
What are you most proud of in your life and career?
“It always comes back to family. Building and nurturing a strong family is, without a doubt, my greatest accomplishment. While I may not have been as polished at it as I was on stage, family is where true strength comes from. It’s what helps you endure life’s ups and downs.”
What’s the secret to a happy marriage?
“Laughter. Even when we’re arguing, we find ways to laugh and break the tension. It’s magic.”
Words of Wisdom: Lessons Learned Over Time
What advice do you have for younger versions of yourself?
“Don’t stress over things you can’t control. Whether you land the job or not, life has its own plan, and it usually works out in mysterious ways. Smile, show up,
