There's a moment in Anthony Michael Hall's latest film, The Class, where his signature grin instantly transports you back to his iconic teen roles in The Breakfast Club, Sixteen Candles, and Weird Science from the '80s. But here's the thing—Anthony, now 54, tells Closer that his smile has always been a little unconventional. "I had braces as a kid, and it gave me a complex," he admits. "So instead of flashing my teeth like most people, I developed this grin. Over the years, it's become a part of who I am. I've had plenty of awkward smiles, but hey, they're all mine!"
Looking back on his early fame, Anthony shares how starring in and executive-producing The Class brought back waves of nostalgia. This heartfelt coming-of-age story is a tribute to The Breakfast Club. "I didn't expect it, but working on this project felt like coming home," he says. "It wasn't something I planned, but it was like revisiting an old friend. And honestly, it surprised me how much it resonated with me."
Back to Chicago and Back to His Roots
So, what was it like returning to Chicago to film The Class?
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"Chicago holds a special place in my heart because I made so many films there in the '80s," Anthony explains. "This time around, it was incredible to revisit those memories and show my wife the city I fell in love with. There's something magical about being back in a place that shaped so much of who you are. It was more than just a shoot—it was an adventure."
Why Did Anthony Choose to Be Part of The Class?
What drew you to this project?
"When I read the screenplay, I was blown away," Anthony reveals. "It tackles so many real-world issues that were relevant back when we made The Breakfast Club and are still just as important today. Whether it's dealing with alcoholism, exploring one's sexuality, or facing life-threatening illnesses, these characters are so relatable and human. The film takes everything we loved about The Breakfast Club and pushes it further, making it feel fresh and modern. It's not just a story—it's a reflection of life."
How Is The Class Different From The Breakfast Club?
In what ways does The Class stand out?
"First and foremost, it's not a remake," Anthony emphasizes. "It's an homage to The Breakfast Club, paying tribute while bringing its own unique voice. One of the things we were really excited about was creating a much more diverse cast. The world has changed so much over the past few decades, especially after everything we've been through in recent years. We wanted the film to reflect that. It's about inclusivity, understanding, and connection in a time when those things matter more than ever."
What was it like working with John Hughes on Sixteen Candles?
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"Let me tell you, it was the time of my life," Anthony gushes. "John and I clicked instantly. He was like an older brother to me—there was no age gap between us. He had this youthful energy that made everyone feel welcome. Working with him was more than just a job; it was a friendship. I learned so much from him, and I'll always be grateful for that."
How did you feel when the Oscars paid tribute to John in 2010?
"Comedies don't always get the recognition they deserve, so when the Academy honored John after his passing, it was incredibly touching," Anthony reflects. "It meant a lot to all of us who worked with him. I believe in the idea of standing on the shoulders of giants, and John was definitely one of those giants for me. I feel lucky to have had him as a mentor."
Who Else Shaped Anthony's Career?
Were there other people who inspired you along the way?
"Absolutely," Anthony says. "Matty Simmons, who cast me in National Lampoon's Vacation, and Harold Ramis were huge influences. They shared a similar vibe—they were joyful and genuinely loved people. It was such a privilege to work with them when I was younger. They taught me so much about the craft and about life itself."
Any Regrets About Starting So Young?
Do you ever wish you hadn't started acting at such a young age?
"Not at all," Anthony insists. "It's all I've ever known, and I'm incredibly thankful for it. It gave me confidence and direction early on. Sure, it forced me to grow up faster and learn the ins and outs of the business, but that's been a blessing in disguise. Acting has been my passion, and it continues to be a source of joy for me."
Were there tough times, though?
"Of course," Anthony admits. "Winston Churchill once said, 'If you think you're in hell, keep going.' Showbiz can definitely feel like hell sometimes, but I've developed a thick skin and a strong work ethic. I take pride in my career, even the ups and downs, because they're all part of the journey."
Overcoming Challenges and Evolving as an Actor
How did you manage to overcome those setbacks?
"Early on, I made a big impact as a child actor, but as I grew older, I had to adapt and reinvent myself," Anthony explains. "That's something I've done multiple times throughout my career. It makes you stronger because you realize how much you've overcome. You approach your work with more humility and self-awareness. Being open to change is key to growth."
What advice would you give to young actors starting out?
"Appreciate every opportunity you get," Anthony advises. "When I was in my 20s, working on shows like Diagnosis Murder with Dick Van Dyke or Murder, She Wrote with Angela Lansbury felt like landing a major film role. Every job matters, and learning to value that work is crucial. Stick-to-itiveness is what helps you grow as an actor. Remember, nothing is guaranteed."
Any Movies You Wish You Hadn't Passed On?
Was there a film you turned down that you regret?
"Not really," Anthony replies. "John Hughes wrote Ferris Bueller with me in mind, but scheduling conflicts meant I couldn't do it. I don't dwell on those kinds of things because I genuinely want everyone to succeed. Matthew Broderick did an amazing job in that role."
If you could, what would you tell your younger self?
"Success can be intoxicating, but it can also be overwhelming," Anthony muses. "If I could talk to my
