As a child growing up in New York City’s Hell’s Kitchen, Tony Orlando would often climb to the rooftop of his building, dreaming big dreams. "I used to create these imaginary marquees," Tony recalls in an exclusive conversation with Closer, his voice brimming with nostalgia. "In huge letters, it would say: 'Tony Orlando.' And then in smaller letters, 'Also appearing: Frank Sinatra.' Sometimes it was Elvis Presley." He chuckles warmly, reminiscing about those youthful aspirations.
Fast forward to today, and Tony, now 76, has seen his name in lights many times over. With the iconic group Tony Orlando and Dawn, he not only sold millions of records but also scored five No. 1 hits, including the unforgettable "Tie a Yellow Ribbon Round the Ole Oak Tree," "Knock Three Times," and "Candida." From 1974 to 1977, Tony also hosted a wildly popular CBS variety show alongside Dawn, featuring Joyce Vincent Wilson and Telma Hopkins. Reflecting on those whirlwind years, Tony says, "It was grueling, hard work, but looking back, I wouldn’t trade it for anything. Every moment was worth it."
Tony’s latest album, Timeless: The Big Hits, includes a brand-new bonus track, "America Is My Hometown," and is available for fans to enjoy right now.
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Keep scrolling below for Closer’s exclusive Q&A interview with Tony Orlando.
Did Music Always Call to You?
Tony Orlando's life has always been set to the rhythm of music. "I grew up in a house where music was everywhere," he shares. "My grandfather was an incredible trumpet player, performing with Desi Arnaz's orchestra. As a young boy, I was mesmerized by Frankie Lymon and the Teenagers. Inspired, I formed my own little doo-wop group. By the time I was 15, I had already signed with Epic Records, setting the stage for what was to come."
What Was It Like Recording So Young?
Even at a tender age, Tony found himself surrounded by legends. "I remember being in the studio with Carole King," he reminisces. "She was writing songs for me alongside her husband, Gerry Goffin. At just 16, I had a massive hit with 'Halfway to Paradise.' Carole's story later became the Broadway sensation Beautiful, but it was also the soundtrack to my early life."
How Did You Transition from Singer to Music Executive?
For Tony, the allure of music never revolved solely around the spotlight. "It wasn't about stardom," he explains. "I simply wanted to be part of the entertainment world. As an executive, I represented incredible talents like James Taylor and signed Barry Manilow. It was a fulfilling chapter in my journey."
